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All creative processes, be they in literature, engineering, computing – and even in love – always respect the same rules: the cycle of nature. Here is a list of the stages along this process:

a] ploughing the field: the moment the soil is turned, oxygen penetrates places it was unable to previously. The field gets a fresh look, the earth which was on top is now below, and that which was underneath has come to the surface. This process of interior revolution is very important – because, just as the field’s new look will see sunlight for the first time, and be dazzled by it, a new assessment of our values will allow us to see life innocently, without ingenuity. Thus we will be prepared for the miracle of inspiration. A good creator must know how to continually turn over his values, and never be content with that which he believes he understands.

b] sowing: all work is the fruit of contact with life. A creative man cannot lock himself in an ivory tower; he must be in contact with his fellow men, and share his human condition. He never knows, at the outset, which things will be important to him in the future, so the more intense his life is, the more possibilities he will create for an original language. Le Corbusier said that: as long as man tried to fly by imitating birds, he couldn’t succeed. The same applies to the artist: although he translates emotions, the language he is translating is not fully understood by him, and if he tries to imitate or control his inspiration, he will never obtain that which he desires. He must allow his life to sow the fertile soil of his unconscious.

c] growth: there is a time in which the work writes itself, freely, at the bottom of the author’s soul – before it dares show itself. In the case of literature, for example, the book influences the writer, and vice versa. It is this moment which the Brazilian poet Carlos Drummond de Andrade refers to, when he states that we should never try to recover lost verses, for they never deserved to see the light of day. I know people who, during a growth period, spend their whole time furiously taking notes on everything which comes into their head, without respecting that which is being written in the unconscious. The result is that the notes, which are the fruit of memory, end up disturbing the fruit of inspiration. The creator must respect the time of gestation, although he knows – just like the farmer – that he is only partially in control of his field; it is subject to drought and floods. But if he knows how to wait, the stronger plants, which can resist bad weather, will come to light with great force.

d] the harvest: the moment when man manifests on a conscious plane that which he sowed and allowed to grow. If he harvests early, the fruit is green, if he harvests late, the fruit is rotten. Every artist recognizes the arrival of this moment; although some aspects may not have matured fully, some ideas not be crystal clear, they reorganize themselves as the work is produced. Without fear and with great discipline, he understands that he must work from dawn to dusk, until the work is finished.

And what to do with the results of the harvest? Again, we look to Mother Nature: she shares everything with everyone. An artist who wishes to keep his work to himself, is not being fair with that which he received from the present moment, nor with the inheritance and teachings of his forefathers. If we leave the grain stored in the granary, it will go bad, even though it was harvested at the right time. When the harvest is over, the time comes to share, without fear or shame, your own soul.

That is the artist’s mission, however painful or glorious.