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A word meaning ‘love' or often ‘the object of love'; a personified form equivalent to ‘eros'; ishq is a term originating from Sufi mysticism. From my understanding, one's ishq may be equated with the higher self', pir (pron: peer), guru, icon or idealized form used for devotional meditation. It is said that those experiencing a high inner state may visualize their ishq like a shadow mirroring their every action. They can converse with it, can be instructed by it and eventually the ishq merges with the lower self, and thus lover and beloved become One, a consciousness in divine union. ishq in literary usage has different levels of meaning depending on context. In my poem bearing the term as a radif, Ishq is referred to as a place somewhere on the Silk Road. Of course, there is no actual hamlet or village (to my knowledge). It is simply a way of creating a metaphorical way of discussing the tradition of ishq referred to in traditional ghazals and Indo-Persian literary culture.

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Mehfil
(pron. mai-hafil) using a very light ‘a') An informal soiree, an ‘art-party' most commonly held in a home. The word mehfil has a deep metaphorical resonance in Urdu literary culture and is often referred to as a place where the poet sees from across the room the ‘love-object' who may have been (traditionally) a veiled woman. Most likely, she would have been a member of the host's family. Talking casually with a woman in this situation would have been socially unacceptable, thus there is always an air of mystery and romantic excitement about a mehfil. Another common kind of mehfil would have been held in a courtesan's house. Mehfil is a broader term than mushaira: a symposium or gathering of poets where they are invited to recite their poems.

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